After 10 years of publication, 'Northings' (the monthly arts e-magazine for the Highlands & Islands) closed down in 2013 and is archived here. High Life Highland is pleased to enable this extensive body of work to remain accessible to the public. Please note, though, that material will not be updated or added.

Visual Arts & Crafts

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Review by Georgina Coburn

Perthshire Visual Arts Forum

13 Jun 2006 in Reviews, Visual Arts & Crafts

Birnam Institute, Dunkeld, 3-4 June 2006

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Review by Northings

Calgary Spring Exhibition

13 Jun 2006 in Argyll & the Islands, Reviews, Visual Arts & Crafts

Calgary Bay, Isle of Mull, ended 10 June 2006

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Feature by Northings

Christil Trumpet Residency

1 Jun 2006 in Features, Orkney, Visual Arts & Crafts

ALISTAIR PEEBLES investigates an ambitious visual arts residency project in Kirkwall.

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Feature by Northings

Peedie Gallery

1 Jun 2006 in Features, Orkney, Visual Arts & Crafts

ALISTAIR PEEBLES discovers that small scale – and we do mean small – needn’t mean small ambition

Profile photo of Georgina Coburn

Review by Georgina Coburn

Under The Influence

10 May 2006 in Highland, Reviews, Visual Arts & Crafts

GEORGINA COBURN finds collaboration adds up to more than the sum of the parts.

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Feature by Georgina Coburn

Art Galore

2 May 2006 in Features, Visual Arts & Crafts

GEORGINA COBURN investigates a new initiative offering creative breakaways in the Highlands & Islands

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Review by Northings

Mhairi Killin- Long Night Moon

28 Apr 2006 in Argyll & the Islands, Reviews, Visual Arts & Crafts

An Tobar, Tobermory, Mull, 2006

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Review by Northings

Road Works

26 Apr 2006 in Orkney, Reviews, Visual Arts & Crafts, Writing

The Loft Gallery, St Margaret’s Hope, Orkney, until 2 May 2006

Profile photo of Georgina Coburn

Review by Georgina Coburn

Jean Noble: Turning Seasons

19 Apr 2006 in Highland, Reviews, Visual Arts & Crafts

Tore Art Gallery, until late May 2006

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Feature by Ian Stephen

Transit Station

9 Apr 2006 in Dance & Drama, Features, Visual Arts & Crafts

IAN STEPHEN reflects on his experience with Dagmar Glausnitzer-Smith and Charles Ryder’s Transit Station.

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